Dead Tube é uma obra feita para causar choque. Hello Your Dream I'll be blunt. At any rate, this is like Mortal Stampede in terms of style, but that's where the similarities end really. But yeah, overly long and relatively boring, but an 'alright' piece for a mood. Apathy The last 1/4 of it is listenable at least, but it can not redeem the absolute bull**** of the rest of the song. I dislike the vocal style, and while the melody may be 'alright', it's really hard to hear in the background. Absolutely amazing song. Where Well not literally on repeat, but it is the same basic drum beat with some minor variation. Sukashiyuri pt 2, basically. This is really not that good in the slightest, and the noise that this song tries to pass as a melody isn't in the slightest bit attention-grabbing or interesting to listen to. When I first heard the first two seconds of this song, my reaction was literally "****. I'd also like to give special mention to the drums, because while they're mostly unchanged, they, alongside the bass, stand out more due to the change in style, and they are still just as awesome as they were the first time I heard 'em. There are too many spots, however short they are, where there's litearlly just nothing going on, and that really hurts the song. Death (From Stupefaction) But it's an interesting, if rather simple, rhythm that serves a purpose and generates good feelings of suspense and suspicion. No geral é uma obra que só li por achar diferente, e querer me testar para ver o quanto eu aguentava daquelas cenas incomodas. Furthermore, the particular section that shows up a couple times at the song, but most notably 3:00-3:10 is absolutely mindblowing. Já o protagonista só fica mais frio com o tempo. Oh man. If glasses and… Like, I can see why somebody would like her voice, but it just totally rubs me the wrong way. Voiceless In spite of that, it IS still the Organ Short, and is still a good melody, Mystic Forest I think my biggest problem with it is that louder piano or whatever tends to be kinda grating to listen to when it's not being absolutely beyond beautiful. That ending is kinda trippy though. Dai is a ****ing god with the piano, and this track and Hope really go above and beyond to prove that. Well, it's not Rose tier at least for long and boring, because the melody is nice to listen to for a little while at least, but the main question I have is "why is this song 8 minutes long?" This is a pretty good track. This track is pretty much the prototype of zts songs. like the very definition of "Mediocre Umineko song". The guitar work that shows up is excellent, too. And really, this track just flows well. Minute Darkness Executioner This is quite possibly the most boring piece of music in the series. I don't recall which one it was, but I heard a lot of Mortal Stampede on my replay. Too lazy to figure out specifically where, but it's there. There's a really unique kind of flow to it that's hard to put into words, too, and the drum section is pretty good. It's also a tad shorter. Dead Tube é uma obra feita para causar choque. Yeah, this song can start to wear on one's nerves after a while if you're just free-listening to it, but as it stands, this is a surprisingly well-made track for what it is that is CREEPY and AMBIENT AS ****, and that works out really well in my book. The rhythm is pretty good, the melody is great, but it suffers from the same problem as ALIVE did. Of the songs I lump with Sukashiyuri, this is probably the best one. Pretty much everything I said about the Omake applies here, and the extra 20 seconds don't really do much for me either way since it's just an intro consisting of the main melody of the song. Prison Com o tempo ele se vê dentro de uma disputa em que pessoas colocam vídeos chocantes dentro de um site chamado Dead tube, onde se ganha um dinheiro absurdo por número de views. Além disso, o site ainda dá um jeito de limpar qualquer vestígio dos crimes cometidos pelas pessoas que fizeram o vídeo com mais views da semana. This is bull****. The soldiers are scaling the ramparts, trying to reach the other side. This song combines literally the worst vocals I've ever heard with the most grating high-pitched organ I've ever heard and goes on like that for MORE THAN FIVE MINUTES. But ith as a single redeeming factor to it: It's only 1:30 long. Com sorte consegue uma OVA. I don't even find the melody that interesting, either, but repition aside, I don't have anything BAD to say about it, either. It's a fun piece that really makes its mark with its speed. At least this track is unique compared to its counterparts in the previous few sets. I don't really like this song much, if at all. It's basically just a more situational/inferior version of Hope <_<, Sea It builds up well, climaxes decently, and isn't painful to listen to, but there's still nothing good about it as a piece of music. Which I absolutely love in a piece of music. The first few seconds are a bit hard to listen to IMO, but once you get past that, it's pretty good. It doesn't really redeem the rest of the song for being the same thing over and over, but it is at least a nice break. The vocals aren't that great, but they serve as a nice accent to the piece, I feel. Board 8 Wiki is a FANDOM Games Community. The melody is just one that is very well-suited to the rest of the song, and really the whole song just flows really well, Paradise Lost Requiem And what's worse is that it's a relatively forgettable track, and it manages to even get lost in the shuffle IN THE EPISODE ITSELF when that entire cluster**** of "Oh **** we have a lot of stuff we haven't used let's get on that" at the end of the Episode. I really can't hear a difference between this and the omake version of it aside from the 20 extra seconds at the beginning. Wait you mean this isn't actually Black Lilliana? It's a very good track, too, and one that I don'tsee mentioned by very many people as a great track. The drums though. I really don't have much to say about this one because it's so boring., You know, I really like Fortitude. It doesn't drag, and it doesn't feel forced at places. Traduções em contexto de "dead-on" en inglês-português da Reverso Context : on the dead, on a dead, on dead, dead on time A Single Moment But it's still a good, listenable song that I do enjoy. And being a huge Rush fan, that's highly disappointing for me <_< Either way, I love Mortal Stampede. There isn't really anything of a background to it. This song is pretty unique IMO. Everything about this song is well-written and flows really, really well. It's no DotG or WED, but it's a very easy to listen to and great track. Probably because it's more interesting and above that. It's pretty much the same few notes the whole way through, but it's a relatively uninteresting set of notes. Like I noted on Fake Red Shoes, at some points it does feel more like noise than Dread of the Grave (Especially the first couple seconds), and second, there's this high-pitched noise that's kinda in the background that gets kinda annoying if I focus on it for whatever reason. The Dark and Crazed Requiem of Purgatory (8.5), 44. This track is "alright" I guess. Então já deixo claro, quem fica impressionado com facilidade ou incomodado com cenas muito fortes (nem algumas das heroínas escapam) não leia esse mangá! Emotional tracks in the game for sure. Yeah, on the surface, this song sounds like a bunch of noise and static thrown together, and honestly it really is. I don't like it as much as HoM, and I really don't feel like it flows as well as its original, but it's still a pretty good track all in all. I don't like this track as much as I do the original DotG. Smile-less Soiree Kiri no Pithos Dead Angle is pretty much perfection in BGM form. Melting Away The bass/rhythm isn't AS good in my opinion, but it does stand out in a neat way and it supports the song nicely. Combine that with the single drum making up the rhythm section (Which works really well in this piece), and you have a goddamn winner here. It could be better yeah, but then you can say that about pretty much any song. This is the bp one and the other one is this one. Overall, just an incredibly likable song that prides itself on its flow, which is something that a good deal of these songs can't do. It just goes whatever direction it feels like it should go, and it really benefits as a track from it. What a ridiculously upbeat track. The song itself is alright, I guess., This is a cool, if somewhat inferior, Final Answer remix. Unlike Mortal Stampede, the rhythm here is borderline impossible to miss because of the spanish(?) Anyways, this sounds like something that could easily be replaced with ominous latin/greek/muslim/whatever chanting and nothing of value would be lost (In fact, there would be gain!, Yeah we're up to three more reptitive tracks in a row now. It's got some interesting parts to it, but it's not anything truely special, Rog Limitation While it succeeds at that, and is a decent song, I just really don't feel like it's well-written as a result. Best part is that it comes up later in the song too. Oh man do the vocals ever complete this piece. It's not the most memorable, or best track, but Hour of Darkness sticks out for being a great piece of mood music. dead significado, definição dead: 1. not now living: 2. Here, though, we've got something pretty interesting. Ride On Traduções em contexto de "dead" en inglês-português da Reverso Context : be dead, he's dead, you're dead, dead man, dead body Umineko no Naku Koro Ni (OP 1) Anyways, this is a nice, relaxing piece, but it suffers most of the same problems I've complained about similar songs for. But anyways, this is another one of those tracks that doesn't really stand out and do anything at all for me. Ele meio que se descobre como um psicopata também, só que passivo. ), but it's a pretty good song. Am I the only one there? And this one is another somewhat repetitive track. This is an alright track, with an alright melody, that doesn't have anything exceptional about it. Actually, this track is remniscent of Dead Angle in a lot of ways IMO. But overall, it kinda falls in the middle of "ehhh this track is alright" to me. Hm. Fishy Aroma The First and the Last I've made an amv about higurashi und umineko because i love this both series xD Hope you enjoy it. It's pretty good, but the vocals do absolutely nothing for me here. It at least scores higher than Stupefaction for being able to tell where it loops though <_<, Nighteyes Vocals, background melody, meh. The parts where it's being unique instead of WED 2.0, it's a very interesting and fun to listen to piece. It's not a god-tier piece, not by any means, but it's still in the upper tiers of the music. Waltz Op. But yeah, another nice track that's pretty similar to Totem Blume, which isn't really a bad thing either. This track is basically Goldenslaughterer 2.0, but it's just a hell of a lot better despite being founded in the same basic song., I can not stand this song. That means the epitaph murders really don't mean anything to her. Com a morte de Benjamin, uma mudança drástica surgiu em Henry, tornando a criança uma pessoa mais fria e disposta a matar qualq… Final Answer Fundamentally, it's more or less the same as Dread of the Grave, but there are two differences that stick out to me aside from the standard remix changes. what the ****. is added in but ehhh I don't really think it's that great. There's nothing really special about it, and it doesn't stand out in any notable way to me, but it just resonates well with me., This is another one of those somewhat-happy piano pieces that sound like they're meant to be inferior Hope Knockoffs that don't really sound like Hope <_< Oh well. Prison STRIP Empty Grey Smile This is a very good track for what it is. This is pretty much the same as A Single Moment conecptually, and in practice it's not really that different but the melody is different. I'm not particularly fond of it, but it's interesting to listen to. This is a melody-driven piece not unlike l&d really, though it falls more towards the middle of the Free Listening vs BGM scale. There are a few different melodies going on here that are swapped between with a degree of regularity, but they all have the tense, tight mood in common. Sunshine isn't really interesting or even good in any way, but it at least holds my attention while it lasts. Maybe it's the length? Oh it's another melody-driven track. Still not anything I'd listen to over other stuff, The Candles Dance Birth of a New Witch (Inst) It's still an excellent song, and the rhythm section stands out as great, but honestly I don't think the style is very well-suited towards the song itself. But, even if it is that (Which it really ISN'T in several sections), they are still some of the best five-note sets I've ever heard. Totem Blume It gets kinda boring, and it drags on a bit too long without going anywhere. Fall I mean, I can enjoy it and it's definitely a solid track, but it seems kinda empty to me. However, even as a standalone piece, it manages to be a standout. The bass parts are great too, which is something that actually isn't really present/noticable in the original. Luckily, the melody is pretty good. This is some kind of awesome techno rhythm beat kinda thing with some guitar going on at points. And the bass, too. I mean, this isn't really THAT great of a song as it is, that aside, but good god it is an absolute thing of beauty. But really, that's all there is to it. I really love this song. I won't bore you with why it's awesome since you already know why. Alguns personagens se salvam, como o protagonista, a heroína central (ela já é revelada como louca desde o cap 1), e uma das secundárias, mas a grosso modo o autor apela tanto nos” twists de personagens” – que parecem legais mas são loucos por dentro -, que fica difícil se surpreender depois de um número grande de capítulos. 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